Details
The Poetry of Dante's Paradiso
Lives Almost Divine, Spirits that Matter|
74,89 € |
|
| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 08.03.2021 |
| ISBN/EAN: | 9783030656287 |
| Sprache: | englisch |
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Beschreibungen
This book argues that <i>Paradiso</i> – Dante’s vision of Heaven – is not simply affirmative. It posits that <i>Paradiso </i>compensates for disappointment rather than fulfils hopes, and where it moves into joy and vision, this also rationalises the experience of exile and the failure of all Dante’s political hopes. The book highlights and addresses a fundamental problem in reading Dante: the assumption that he writes as a Catholic Christian, which can be off-putting and induces an overly theological and partisan reading in some commentary. Accordingly, the study argues that Dante must be read now in a post-Christian modernity. It discusses Dante's Christianity fully, and takes its details as a source of wonder and beauty which need communicating to a modern reader. Yet, the study also argues that we must read for the alterity of Dante’s world from ours. <div><br></div><div><br></div>
<p>1 Introduction: Reading Paradiso Out of Time</p>
<p>2 Within the Shadow of the Earth</p>
<p>3 Dancing in the Sun: Paradiso—Cantos 10–14</p>
<p>4 Mars, Jupiter, Saturn: History and Its Reversals</p>
<p>5 Fixed Stars, Diasporic Times: Paradiso 22–27</p>
<p>6 Angels: Paradiso 28 and 29</p>
<p>7 The Ultimate Vision: Paradiso 30–33</p>
<p>2 Within the Shadow of the Earth</p>
<p>3 Dancing in the Sun: Paradiso—Cantos 10–14</p>
<p>4 Mars, Jupiter, Saturn: History and Its Reversals</p>
<p>5 Fixed Stars, Diasporic Times: Paradiso 22–27</p>
<p>6 Angels: Paradiso 28 and 29</p>
<p>7 The Ultimate Vision: Paradiso 30–33</p>
<div>Jeremy Tambling is Professor of English at SWPS Warsaw (University of Social Sciences and Humanities), Poland. Prior to this, he was Professor of Literature at Manchester University, UK, and Professor of Comparative Literature, University of Hong Kong, Hong Kong. He has written widely on Dante, psychoanalysis, urban literary studies, and Victorian literature. Previous publications on Dante include <i>Dante and Difference: Writing in the Commedia</i> (1988), <i>Dante: A Critical Reader</i> (ed.1999), and <i>Dante in Purgatory: States of Affect</i> (2012).</div><div><br></div>
<p>“Professor Tambling adds an original voice to the current surge of interest in what</p>
<p>makes Dante’s Paradiso uniquely intriguing, even in comparison to the Inferno</p>
<p>and Purgatorio. He directly engages the question that haunts the poem: can</p>
<p>authentic human hope sustain itself on its spacewalk through the material</p>
<p>universe, even if it cannot foresee its end?”</p>
<p>—<b>Francis J. Ambrosio</b>, Georgetown University, USA</p>
<p>This book argues that Paradiso – Dante’s vision of Heaven – is not simply</p>
<p>affirmative. It posits that Paradiso compensates for disappointment rather than</p>
fulfils hopes, and where it moves into joy and vision, this also rationalises the<p></p>
<p>experience of exile and the failure of all Dante’s political hopes. The book</p>
<p>highlights and addresses a fundamental problem in reading Dante: the assumption</p>
<p>that he writes as a Catholic Christian, which can be off-putting and induces an</p>
<p>overly theological and partisan reading in some commentary. Accordingly, the</p>
<p>study argues that Dante must be read now in a post-Christian modernity. It</p>
<p>discusses Dante’s Christianity fully, and takes its details as a source of wonder</p>
<p>and beauty which need communicating to a modern reader. Yet, the study also</p>
<p>argues that we must read for the alterity of Dante’s world from ours.</p>
<p><b>Jeremy Tambling</b> is Professor of English at SWPS Warsaw (University of Social</p>
<p>Sciences and Humanities), Poland. Prior to this, he was Professor of Literature at</p>
<p>Manchester University, UK, and Professor of Comparative Literature, University of</p>
<p>Hong Kong, Hong Kong. He has written widely on Dante, psychoanalysis, urban</p>
<p>literary studies, and Victorian literature. Previous publications on Dante</p>
<p>include Dante and Difference: Writing in the Commedia (1988), Dante: A Critical</p>
<p>Reader (ed.1999), and Dante in Purgatory: States of Affect (2012).</p>
<p>makes Dante’s Paradiso uniquely intriguing, even in comparison to the Inferno</p>
<p>and Purgatorio. He directly engages the question that haunts the poem: can</p>
<p>authentic human hope sustain itself on its spacewalk through the material</p>
<p>universe, even if it cannot foresee its end?”</p>
<p>—<b>Francis J. Ambrosio</b>, Georgetown University, USA</p>
<p>This book argues that Paradiso – Dante’s vision of Heaven – is not simply</p>
<p>affirmative. It posits that Paradiso compensates for disappointment rather than</p>
fulfils hopes, and where it moves into joy and vision, this also rationalises the<p></p>
<p>experience of exile and the failure of all Dante’s political hopes. The book</p>
<p>highlights and addresses a fundamental problem in reading Dante: the assumption</p>
<p>that he writes as a Catholic Christian, which can be off-putting and induces an</p>
<p>overly theological and partisan reading in some commentary. Accordingly, the</p>
<p>study argues that Dante must be read now in a post-Christian modernity. It</p>
<p>discusses Dante’s Christianity fully, and takes its details as a source of wonder</p>
<p>and beauty which need communicating to a modern reader. Yet, the study also</p>
<p>argues that we must read for the alterity of Dante’s world from ours.</p>
<p><b>Jeremy Tambling</b> is Professor of English at SWPS Warsaw (University of Social</p>
<p>Sciences and Humanities), Poland. Prior to this, he was Professor of Literature at</p>
<p>Manchester University, UK, and Professor of Comparative Literature, University of</p>
<p>Hong Kong, Hong Kong. He has written widely on Dante, psychoanalysis, urban</p>
<p>literary studies, and Victorian literature. Previous publications on Dante</p>
<p>include Dante and Difference: Writing in the Commedia (1988), Dante: A Critical</p>
<p>Reader (ed.1999), and Dante in Purgatory: States of Affect (2012).</p>
<p>A full-scale reading of Dante’s Paradiso that incorporates contemporary and historical Dante scholarship and modern critical theory</p><p>Reads the text as ‘modern’, and balances both Dante’s theology and present-day secularity</p><p>Draws on modern theoretical work on allegory, psychoanalysis, gender, and deconstruction</p>
“Professor Tambling adds an original voice to the current surge of interest in what<p></p>
<p>makes Dante’s Paradiso uniquely intriguing, even in comparison to the Inferno</p>
<p>and Purgatorio. He directly engages the question that haunts the poem: can</p>
<p>authentic human hope sustain itself on its spacewalk through the material</p>
<p>universe, even if it cannot foresee its end?”</p>
—<b>Francis J. Ambrosio</b>, Georgetown University, USA
<p>makes Dante’s Paradiso uniquely intriguing, even in comparison to the Inferno</p>
<p>and Purgatorio. He directly engages the question that haunts the poem: can</p>
<p>authentic human hope sustain itself on its spacewalk through the material</p>
<p>universe, even if it cannot foresee its end?”</p>
—<b>Francis J. Ambrosio</b>, Georgetown University, USA
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