Details
Sustaining Black Music and Culture during COVID-19
#Verzuz and Club Quarantine|
44,99 € |
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| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 30.09.2021 |
| ISBN/EAN: | 9781793645050 |
| Sprache: | englisch |
| Anzahl Seiten: | 152 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<p><span>Sustaining Black Music and Culture during COVID-19: #Verzuz and Club Quarantine </span><span>argues that Instagram is a premier digital leisure space to celebrate and promote Black American culture and identity, particularly evidenced during the early days of the COVID-19 pandemic as the United States grappled with mandated shelter-in-place orders. Club Quarantine (CQ) and Verzuz emerged as highly successful Black music-listening events streamed on Instagram Live, collectively ushering Black (techno)culture through a once-in-a-generation pandemic and beyond. Contributors to this collection explore the communicative and cultural significance of these events as respite from social isolation and as a rearticulated space for Black cultural engagement in the midst of the COVID-19 pandemic and increased racial tensions in the United States. </span></p>
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<p><span>This book explores how pivotal Instagram Live events Club Quarantine and Verzuz have provided respite from social isolation and a rearticulated space for Black cultural engagement in the midst of the COVID-19 pandemic and increased racial tensions in the United States. </span></p>
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<p><span>Foreword: One Nation under a (socially distant) Groove</span></p>
<p><span>Eletra S. Gilchrist-Petty</span></p>
<p><span>Chapter 1: Introduction</span></p>
<p><span>Niya Pickett Miller</span></p>
<p><span>Chapter 2: ‘Sisters in the name of Love’: The Rhetorical Construction of Sisterhood in the Verzuz Challenges between Gladys Knight vs. Patti Labelle And Erykah Badu vs. Jill Scott</span></p>
<p><span>Goyland Williams & Mtalika Banda</span></p>
<p><span>Chapter 3: Don’t Take it Personal: Perceptions of Authenticity, Envy and Competitiveness in the Brandy v. Monica Verzuz Battle</span></p>
<p><span>Aisha Damali Lockridge and Janée N. Burkhalter</span></p>
<p><span>Chapter 4: The Way We Were: How Black Women Created Space with Verzuz</span><span> </span></p>
<p><span>Kirstin Cheers </span></p>
<p><span>Chapter 5: DJ’s Gig: Affective Hip Hop Culture and Affordances of Participatory Platforms during a Global Pandemic</span></p>
<p><span>June Mia</span></p>
<p><span>Chapter 6: Old Hits Verzuz New Technology: How a Pandemic Ushered Legacy Artists into the Clout Economy</span></p>
<p><span>Jabari Evans</span></p>
<p><span>Chapter 7</span><a></a><span>: Black and Quarantined: Celebrating Black Identity During COVID-19 via Instagram</span></p>
<p><span>Katrina Overby, Gheni Platenburg, and Niya Pickett Miller</span></p>
<p><span>Chapter 8: The Culture Wins: Continuing Black Cultural Traditions through Verzuz</span></p>
<p><span>Karl Lyn</span></p>
<p><span>Chapter 9: Conclusion</span></p>
<p><span>Niya Pickett Miller</span></p>
<p><span>About the Contributors</span></p>
<p><span>Eletra S. Gilchrist-Petty</span></p>
<p><span>Chapter 1: Introduction</span></p>
<p><span>Niya Pickett Miller</span></p>
<p><span>Chapter 2: ‘Sisters in the name of Love’: The Rhetorical Construction of Sisterhood in the Verzuz Challenges between Gladys Knight vs. Patti Labelle And Erykah Badu vs. Jill Scott</span></p>
<p><span>Goyland Williams & Mtalika Banda</span></p>
<p><span>Chapter 3: Don’t Take it Personal: Perceptions of Authenticity, Envy and Competitiveness in the Brandy v. Monica Verzuz Battle</span></p>
<p><span>Aisha Damali Lockridge and Janée N. Burkhalter</span></p>
<p><span>Chapter 4: The Way We Were: How Black Women Created Space with Verzuz</span><span> </span></p>
<p><span>Kirstin Cheers </span></p>
<p><span>Chapter 5: DJ’s Gig: Affective Hip Hop Culture and Affordances of Participatory Platforms during a Global Pandemic</span></p>
<p><span>June Mia</span></p>
<p><span>Chapter 6: Old Hits Verzuz New Technology: How a Pandemic Ushered Legacy Artists into the Clout Economy</span></p>
<p><span>Jabari Evans</span></p>
<p><span>Chapter 7</span><a></a><span>: Black and Quarantined: Celebrating Black Identity During COVID-19 via Instagram</span></p>
<p><span>Katrina Overby, Gheni Platenburg, and Niya Pickett Miller</span></p>
<p><span>Chapter 8: The Culture Wins: Continuing Black Cultural Traditions through Verzuz</span></p>
<p><span>Karl Lyn</span></p>
<p><span>Chapter 9: Conclusion</span></p>
<p><span>Niya Pickett Miller</span></p>
<p><span>About the Contributors</span></p>
<p><span>Niya Pickett Miller</span><span> is assistant professor of communication studies in the Department of Communication and Media at Samford University. </span></p>
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