Details
Philosophy, Film, and the Dark Side of Interdependence
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44,99 € |
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| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 03.11.2020 |
| ISBN/EAN: | 9781793626264 |
| Sprache: | englisch |
| Anzahl Seiten: | 250 |
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Beschreibungen
<p><span>Why might interdependence, the idea that we are made up of our relations, be horrifying? </span><span>Philosophy, Film, and the Dark Side of Interdependence</span><span> argues that philosophy can outline the contours of dark specter of interdependence and that film can shine a light on its shadowy details, together revealing a horror of relations. The contributors interrogate the question of interdependence through analyses of contemporary film, giving voice to new perspectives on its meaning. Conceived before and written during the 2020 COVID-19 pandemic and through a period of deep social unrest, this volume reveals a reality both perennial and timely. </span></p>
<p><span>Why might interdependence, the idea that we are made up of our relations, be horrifying? </span><span>Philosophy, Film, and the Dark Side of Interdependence</span><span> argues that philosophy can outline the contours of the dark spectre, and that film can shine a light on its shadowy details, together revealing a horror of relations.</span></p>
<p><span>Foreword: Fear of Film: Cinema and Affective Entanglements, </span><span>Kendall Phillips</span></p>
<p><span>Introduction: The Horror of Relations, </span><span>Jonathan Beever</span></p>
<p><span>Section 1: Familial Relations</span></p>
<p><span>Chapter 1: Love and Horror: In Bong Joon-Ho’s </span><span>Mother</span><span> and Lee Chang-Dong’s </span><span>Poetry</span><span>, </span><span>Eunah Lee</span></p>
<p><span>Chapter 2: Predatory Masculinity and Domestic Violence in Charles Laughton’s </span><span>The Night of the Hunter</span><span>, </span><span>David Baumeister</span></p>
<p><span>Chapter 3: “Will God Forgive Us?: Interdependence and Self-Transcendence in Paul Schrader’s </span><span>First Reformed</span><span>”, </span><span>Vernon W. Cisney</span></p>
<p><span>Section 2: Social-Political Relations </span></p>
<p><span>Chapter 4: The Dark Night Of Ecological Despair: Awaiting Reconsecration in Paul Schrader’s </span><span>First Reformed</span><span>, </span><span>Chandler Rogers and Tober Corrigan</span></p>
<p><span>Chapter 5: The Horror of Interdependence: Climate Migration Anxiety by the Radical Right in Pella Kågerman and Hugo Lilja’s </span><span>Aniara</span><span> (2018) and Ari Aster’s </span><span>Midsommar</span><span> (2019), </span><span>Sydney Lane</span></p>
<p><span>Chapter 6: Dissecting the Corrupted Body Politic: Fear, ‘Body Horror’ and the Failure of Relations, </span><span>Josh Grant-Young</span></p>
<p><span>Chapter 7: The Danger of Ecological and Economic Interdependence in the Films of Cormac McCarthy, </span><span>Jonathan Elmore and Rick Elmore</span></p>
<p><span>Section 3: Techno-Ecological Relations</span></p>
<p><span>Chapter 8: When Dinosaurs Ruled the Earth: The Horror of Being Prey and Forgetting Nature, Yet Again, in </span><span>Jurassic Park</span><span> and </span><span>Jurassic World</span><span>, </span><span>Eric S. Godoy</span></p>
<p><span>Chapter 9: Weird Ecologies and the Uncanny in </span><span>The Happening</span><span>, </span><span>Brian Onishi</span></p>
<p><span>Chapter 10: Resident Evil, the Zomborg, and the Dark Side of Technological Interdependence, </span><span>Jonathan Beever</span></p>
<p><span>Chapter 11: </span><span>When the Flame Goes Out: The Horror of Connected Consciousness, </span><span>Luis Favela</span></p>
<p><span>Conclusion: Imaginaries of Interdependence</span><span>, Jonathan Beever</span></p>
<p><span>Coda: Difficult Intersubjectivity: Interdependence and Cinematic Ethics, </span><span>Robert Sinnerbrink</span></p>
<p></p>
<p><span>Introduction: The Horror of Relations, </span><span>Jonathan Beever</span></p>
<p><span>Section 1: Familial Relations</span></p>
<p><span>Chapter 1: Love and Horror: In Bong Joon-Ho’s </span><span>Mother</span><span> and Lee Chang-Dong’s </span><span>Poetry</span><span>, </span><span>Eunah Lee</span></p>
<p><span>Chapter 2: Predatory Masculinity and Domestic Violence in Charles Laughton’s </span><span>The Night of the Hunter</span><span>, </span><span>David Baumeister</span></p>
<p><span>Chapter 3: “Will God Forgive Us?: Interdependence and Self-Transcendence in Paul Schrader’s </span><span>First Reformed</span><span>”, </span><span>Vernon W. Cisney</span></p>
<p><span>Section 2: Social-Political Relations </span></p>
<p><span>Chapter 4: The Dark Night Of Ecological Despair: Awaiting Reconsecration in Paul Schrader’s </span><span>First Reformed</span><span>, </span><span>Chandler Rogers and Tober Corrigan</span></p>
<p><span>Chapter 5: The Horror of Interdependence: Climate Migration Anxiety by the Radical Right in Pella Kågerman and Hugo Lilja’s </span><span>Aniara</span><span> (2018) and Ari Aster’s </span><span>Midsommar</span><span> (2019), </span><span>Sydney Lane</span></p>
<p><span>Chapter 6: Dissecting the Corrupted Body Politic: Fear, ‘Body Horror’ and the Failure of Relations, </span><span>Josh Grant-Young</span></p>
<p><span>Chapter 7: The Danger of Ecological and Economic Interdependence in the Films of Cormac McCarthy, </span><span>Jonathan Elmore and Rick Elmore</span></p>
<p><span>Section 3: Techno-Ecological Relations</span></p>
<p><span>Chapter 8: When Dinosaurs Ruled the Earth: The Horror of Being Prey and Forgetting Nature, Yet Again, in </span><span>Jurassic Park</span><span> and </span><span>Jurassic World</span><span>, </span><span>Eric S. Godoy</span></p>
<p><span>Chapter 9: Weird Ecologies and the Uncanny in </span><span>The Happening</span><span>, </span><span>Brian Onishi</span></p>
<p><span>Chapter 10: Resident Evil, the Zomborg, and the Dark Side of Technological Interdependence, </span><span>Jonathan Beever</span></p>
<p><span>Chapter 11: </span><span>When the Flame Goes Out: The Horror of Connected Consciousness, </span><span>Luis Favela</span></p>
<p><span>Conclusion: Imaginaries of Interdependence</span><span>, Jonathan Beever</span></p>
<p><span>Coda: Difficult Intersubjectivity: Interdependence and Cinematic Ethics, </span><span>Robert Sinnerbrink</span></p>
<p></p>
<p><span>Jonathan Beever</span><span> is assistant professor of philosophy at the University of Central Florida and director of the UCF Center for Ethics.</span></p>
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