Details
A Critical Companion to Terrence Malick
Critical Companions to Contemporary Directors
|
44,99 € |
|
| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 07.10.2020 |
| ISBN/EAN: | 9781793608635 |
| Sprache: | englisch |
| Anzahl Seiten: | 288 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<span>From the dust of the Montana plains to the farthest reaches of the cosmos, Terrence Malick’s films have enchanted audiences with transcendent images of nature, humanity, and grace for nearly fifty years. The contributors in this volume explore the profound implications of Malick’s stories, images, processes, and convictions as they offer comprehensive studies of the ten completed films of Terrence Malick. Each chapter takes a reflective and retrospective approach, considering new interpretations and frameworks for understanding Malick's unique creative choices. Drawing from a range of diverse academic disciplines, the collection analyzes the groundbreaking qualities of his cinematic style and the philosophical underpinnings that permeate his work. Rigorously researched and unique, the arguments presented within this volume shed new light on Malick and the cinematic medium.</span>
<span>This collection presents comprehensive, unique scholarly analyses of Terrence Malick’s films through the lenses of philosophy, poetry, cinema, and theology.</span>
<span>Chapter One: Thinking of Film: What is Cavellian about Malick’s Movies?</span>
<br>
<br>
<span>David LaRocca</span>
<br>
<br>
<span>Chapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain”</span>
<br>
<br>
<span>Adam Daniel</span>
<br>
<br>
<span>Chapter Three: The Beautiful Light: The Supernaturalist Argument of </span>
<span>The Thin Red Line</span>
<br>
<br>
<span>David J. Gilbert</span>
<br>
<br>
<span>Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence Malick</span>
<br>
<br>
<span>Kip Redick</span>
<br>
<br>
<span>Chapter Five: How Can a Film be Poetic? The Case of </span>
<span>The Thin Red Line</span>
<br>
<br>
<span>Timothy E.G. Bartel</span>
<br>
<br>
<span>Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence Malick</span>
<br>
<br>
<span>Joshua Russell</span>
<br>
<br>
<span>Chapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in Context</span>
<br>
<br>
<span>Dean Yamada</span>
<br>
<br>
<span>Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in Dialogue</span>
<br>
<br>
<span>Anthony Parisi</span>
<br>
<br>
<span>Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema</span>
<br>
<br>
<span>Joshua Sikora</span>
<br>
<br>
<span>Chapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: </span>
<span>The Tree of Life</span>
<span> as Theological Discourse</span>
<br>
<br>
<span>Naaman Wood</span>
<br>
<br>
<span>Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of Terrence Malick</span>
<br>
<br>
<span>Vernon W. Cisney</span>
<br>
<br>
<span>Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in </span>
<span>Days of Heaven</span>
<span> and </span>
<span>To the Wonder</span>
<br>
<br>
<span>Matthew Aughtry</span>
<br>
<br>
<span>Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work of Cinema</span>
<br>
<br>
<span>Reno Lauro</span>
<br>
<br>
<span>David LaRocca</span>
<br>
<br>
<span>Chapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain”</span>
<br>
<br>
<span>Adam Daniel</span>
<br>
<br>
<span>Chapter Three: The Beautiful Light: The Supernaturalist Argument of </span>
<span>The Thin Red Line</span>
<br>
<br>
<span>David J. Gilbert</span>
<br>
<br>
<span>Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence Malick</span>
<br>
<br>
<span>Kip Redick</span>
<br>
<br>
<span>Chapter Five: How Can a Film be Poetic? The Case of </span>
<span>The Thin Red Line</span>
<br>
<br>
<span>Timothy E.G. Bartel</span>
<br>
<br>
<span>Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence Malick</span>
<br>
<br>
<span>Joshua Russell</span>
<br>
<br>
<span>Chapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in Context</span>
<br>
<br>
<span>Dean Yamada</span>
<br>
<br>
<span>Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in Dialogue</span>
<br>
<br>
<span>Anthony Parisi</span>
<br>
<br>
<span>Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema</span>
<br>
<br>
<span>Joshua Sikora</span>
<br>
<br>
<span>Chapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: </span>
<span>The Tree of Life</span>
<span> as Theological Discourse</span>
<br>
<br>
<span>Naaman Wood</span>
<br>
<br>
<span>Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of Terrence Malick</span>
<br>
<br>
<span>Vernon W. Cisney</span>
<br>
<br>
<span>Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in </span>
<span>Days of Heaven</span>
<span> and </span>
<span>To the Wonder</span>
<br>
<br>
<span>Matthew Aughtry</span>
<br>
<br>
<span>Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work of Cinema</span>
<br>
<br>
<span>Reno Lauro</span>
<span>Joshua Sikora </span>
<span>(MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.</span>
<span>(MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.</span>
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